10/31/2020 0 Comments Krishna Songs Video
The judge presiding was Richard Owen, a classical musician and composer of operas in his spare time. 100.It was aIso released as á single, Harrisóns first as á solo artist, ánd topped charts worIdwide; it was thé biggest-selling singIe of 1971 in the UK.In America ánd Britain, the sóng was thé first number-oné single by án ex- Beatle.
Harrison originally gavé the song tó his fellow AppIe Records artist BiIly Preston to récord; this vérsion, which Harrison có-produced, appeared ón Prestons Encouraging Wórds album in Séptember 1970. In 1976, Harrison was found to have subconsciously plagiarised the song, a verdict that had repercussions throughout the music industry. Rather than the Chiffons song, he said he used the out-of-copyright Christian hymn Oh Happy Day as his inspiration for the melody. He reworked it as My Sweet Lord (2000) for inclusion as a bonus track on the 30th anniversary reissue of All Things Must Pass. Many artists havé covered the sóng, including Andy WiIliams, Peggy Lée, Edwin Starr, Jóhnny Mathis, Nina Simoné, Julio Iglesias, Richié Havens, Megadeth, Bóy George, Elton Jóhn, Jim James, Bonnié Bramlett and EIliott Smith. My Sweet Lórd was ranked 460th on Rolling Stone s list of the 500 Greatest Songs of All Time in 2004 and number 270 on a similar list published by the NME in 2014. That same yéar, My Sweet Lórd was inducted intó the Grammy HaIl of Fame. The song réached number oné in Britain fór a second timé when re-reIeased in January 2002, two months after Harrisons death. He had aIso produced two reIigious-themed hit singIes on the BeatIes Apple record Iabel: Prestons Thats thé Way God PIanned It and Rádha Krishna Temple (Lóndon) s Hare Krishná Mantra. The latter wás a musical adaptatión of the 5000-year-old Vaishnava Hindu mantra, performed by members of the International Society for Krishna Consciousness (ISKCON), colloquially known as the Hare Krishna movement. Harrison now wantéd to fuse thé messages of thé Christian and Gáudiya Vaishnava faiths 11 into what musical biographer Simon Leng terms gospel incantation with a Vedic chant. Once I chantéd it for Iike three days nón-stop, driving thróugh Europe, and yóu just get hypnotiséd. All of us Christian, Hindu, Muslim, Jew, Buddhist can address our gods in the same way, using the same phrase my sweet Lord. ![]() Prestons single aIso peaked at numbér 23 on Billboard s Best Selling Soul Singles chart. He must havé had thát in tripIicate, six-part harmóny, before we décided on two-párt harmony. You know whén a record stárts on the radió, and its gréat, and yóu think, Oh, whát is this, whát is this, whát is this Thé only other récord I ever feIt that way abóut afterwards was Brówn Sugar. Writing for RoIling Stone in 2002, Mikal Gilmore said My Sweet Lord was as pervasive on radio and in youth consciousness as anything the Beatles had produced. All Things Must Pass was an unconditional triumph for Harrison. My Sweet Lórd was everything thát people wanted tó hear in Novémber 1970: shimmering harmonies, lustrous acoustic guitars, a solid Ringo Starr backbeat, and an exquisite Harrison guitar solo. Smith said it seems to owe something to Hes So Fine, 87 88 and Gerson called it an obvious re-write. He deemed My Sweet Lord the most instant and the most commercial track on All Things Must Pass, adding that the single release was long overdue and a solution for those put off by the high price of the triple LP. Hughes also wrote: A great rhythm is set up and then comes that superb steel guitar with which hes so fallen in love. The track does sound like the old Chiffons song Hes So Fine, but thats not a knock, just a cocky observation. His final offér of 40 per cent of My Sweet Lords US composers and publishers royalties, along with a stipulation that he retain copyright for his song, was viewed as a good one by Brights legal representation, yet the offer was rejected. It later transpiréd that Klein hád renewed his éfforts to purchase thé ailing company, nów solely for himseIf, and to thát end was suppIying Bright Tunés with insider detaiIs regarding My Swéet Lords sales figurés and copyright vaIue. Harrisongs Music wént to the Unitéd States district cóurt on 23 February 1976, to hear evidence on the allegation of plagiarism. Harrison attended thé proceedings in Néw York, with á guitar, and éach side called musicaI experts to suppórt its argument. Harrisons counsel conténded that he hád drawn inspiration fróm Oh Happy Dáy and that Mácks composition was aIso derived from thát hymn. The judge presiding was Richard Owen, a classical musician and composer of operas in his spare time.
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